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GIOVANNI RIBISI, ELIAS KOTEAS, AMY MADIGAN, 
ERIC BOGOSIAN, LEE TERGESON AND SAM SHEPARD 
STAR IN HBO FILMS' SHOT IN THE HEART
DEBUTING IN OCTOBER

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Agnieszka Holland Directs From A Script By Frank Pugilese; 
Barry Levinson, Tom Fontana and Jim Finnerty Executive Produce 
Screen Adaptation of Mikal Gilmore’s Acclaimed Book 
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 " I am the brother of a man who murdered innocent men. His name was Gary Gilmore, and he would end up as one of modern America’s more epochal criminal figures. After the killings and Gary’s death sentence, I felt grief and anger, and deep and painful humiliation. I told myself for years I didn’t love Gary anymore. And I believe he told himself the same thing about me. And then, in that last week, when we began to find each other, we both recognized all the love we had let go to waste and that we were both now about to lose, within hours, for eternity."

--Mikal Gilmore, author of "Shot in the Heart"
So writes Mikal Gilmore about the relationship he discovered between himself and his brother Gary Gilmore in the final days before Gary’s execution in January 1977. Starring Giovanni Ribisi ("Gone in 60 Seconds," "Saving Private Ryan")and Elias Koteas ("Lost Souls," "The Thin Red Line"), HBO Films’ SHOT IN THE HEART is the story of a man coming to terms with the sins and secrets of his notorious brother and, in the process, exploring the legacy of violence in his own family. Based on the acclaimed non- fiction book by Mikal Gilmore, SHOT IN THE HEART focuses on the convicted murderer’s campaign for his own execution, and the attempts of his family to understand his decision. 

Debuting in October, SHOT IN THE HEART is directed by Golden Globe winner and Academy Award nominee Agnieszka Holland ("Europa, Europa," ‘The Angry Harvest"), and also stars Amy Madigan ("Pollock," HBO’s "A Bright Shining Lie"), Eric Bogosian ("Talk Radio," HBO’s "A Bright Shining Lie"), Lee Tergesen ("Shaft," HBO’s "OZ") and Sam Shepard ("All the Pretty Horses," "Snow Falling on Cedars"). 

Oscar-winning director, screenwriter and producer Barry Levinson ("Rain Man," "Bugsy") executive producers along with Emmy-winning producer Tom Fontana (HBO’s "OZ," "Homicide: Life on the Street") and Jim Finnerty (HBO’s "OZ," Homicide: Life on the Street"). Nina Kostroff Noble (HBO’s Emmy-winning "The Corner") produces. The script is by Frank Pugliese ("Homicide: Life on the Street"). Kary Antholis, vice president, HBO Films, is the executive in charge of the film. 

SYNOPSIS

Provo, Utah, 1929: Four young sisters, including Bessie, 11, play with a Ouija board and conjure the spirit of "a dead Indian." Their mother chastises the girls and tells Bessie’s father, who smashes the board over his knee. Outside, Bessie’s sister Alta flies from a make- shift sled, fractures her skull and dies. In voiceover, Mikal Gilmore recalls that Bessie always felt it was the spirit of this dead Indian that brought death and sorrow to her family.

In fall 1977, Mikal Gilmore (Giovanni Ribisi) and his older brother Frank, Jr. (Lee Tergesen) ride through the Salt Lake Valley in a Rolls-Royce driven by ACLU lawyer Richard Glaque (Terry Beaver). They are on their way to Utah’s Draper Prison for a "one-time-only" visit with their notorious brother Gary (Elias Koteas), a death-row inmate set to be executed in a few days. Convicted a year earlier of the brutal murders of two Mormon men, Gary has been sentenced to death in the wake of the Supreme Court’s decision to reinstate capital punishment. Since he stands to become the first American in more than a decade to be executed, Gary has become the subject of enormous national attention, and his request to die stuns his ailing mother Bessie (Amy Madigan) and confuses his brothers. Mikal and Frank hope to meet with Gary, change his mind, and get papers signed that will stay the execution. 

Gary is led into the visiting area, where he greets Mikal and Frank Jr., and demands to know why their mother, Bessie, won’t take money from Larry Schiller (Eric Bogosian), a producer and entrepreneur who bought the exclusive rights to Gary’s story. Mikal confesses that he threatened never to speak to his mother again if she did. 

1956: Twelve-year-old Gaylen Gilmore (Brett Fleisher) describes to his father, Frank, Sr. (Sam Shepard), the "ghost" that he saw in their attic. Bessie, a devout Mormon, swears that it’s the same ghost that killed her sisters and made their son, Gary, sick. Later, Bessie is convinced the attic is haunted when Frank, Sr. Falls down the attic stairs. 

Mikal and Frank, Jr. Try to convince Gary to change his mind about the execution. Gary becomes furious and insists that he doesn’t want the ACLU and Glaque interfering with his "right to die." Uncle Vern (Tom Quinn) and Aunt Idea (Rosemary Knower) arrive to visit Gary. Vern pulls out t-shirts, emblazoned with a photograph of Gary and the words "Gilmore - Death Wish." As Vern sings Gary one of his favorite songs, Mikal, disgusted with the circus-like atmosphere, cuts the visit short and leaves. 

1956: Frank, Sr. Abuses teenagers Gary (Paul Wasliewski) and Frank, Jr. (Matthew Armstrong) at Christmas. 

Mikal and Frank, Jr. Meet Glaque outside Draper Prison. Mikal makes it clear he intends to stop Gary’s execution. At the Biltmore Hotel, Mikal is upset when he sees his brother on the cover of Newsweek. Mikal encounters Schiller, whom he suspects feels that Gary is worth more dead than alive, and accuses him of using his brother’s execution just to get a good story. Later, Mikal calls Bessie from his hotel room. Bessie blames herself for Gary’s fate and urges Mikal to sign the papers requesting a stay, without Gary’s permission. 

The next day, Mikal arrives at the prison without Frank, Jr. And hears Gary’s lawyers, Moody (Lance Lawman) and Stanger (Christopher Crutchfield Walker), talking about Mikal’s conversation with Schiller. Alone with Mikal, Gary expresses his desire to talk with his estranged girlfriend Nicole (Kimberly Perfetto), and reiterates that he would rather be executed than spend the rest of his days in jail. Gary is bitter and renounces Mikal as his brother: He reminds Mikal that he has never been there for him in the past. Nonetheless, Gary later asks Mikal to visit him again the next day. 

In the hotel lobby, Mikal berates Schiller for revealing their conversation to Gary’s lawyers. Schiller confesses to Mikal that he doesn’t want to see Gary die, but believes in his inalienable right to choose his own destiny. 

On the street, Mikal is surprised when he sees Frank Jr., who tells Mikal about the abuse Gary suffered as a child. They sit in a park and commiserate. Frank Jr. Is convinced that Gary wants to die and that Mikal should stop trying to save him. 

1940s: Bessie and her three young sons are abandoned at a roadside café. They start walking on the road, and Bessie tells her boys to pray. A mysterious black man comes by and offers them some sandwiches and cupcakes. He tells Bessie that everything will be all right. Bessie always believed that this stranger was one of the three Mormon Nephite angels. 

In his hotel room that night, Mikal watches a television interview with Nicole. She talks about Gary’s violence and her passion for him. 

Mikal writes Gary a letter begging him to choose life, which Gary reads the next day during their visit. Mikal demands to know why Gary murdered the two innocent Mormon family men. Gary scolds his brother for trying to justify his rage and makes jokes about his psychological motivation. He also intimates that he will kill himself if Mikal interferes. 

Thanksgiving, 1956: Frank Sr. Starts a fight with Frank Jr., and Bessie threatens to kill her husband with a carving knife as young Mikal (Trevor Gosden) watches. 

Gary confesses that Frank Sr. Beat and abused him because his real father was Robert Gilmore (Jesse Lamonaca), Frank Sr.’s son from his first marriage, and that Gary Gilmore isn’t even his real name. 

The 1950’s: Gary faces a judge as his family watches, and Bessie weeps as he is dragged off to jail for the first time. 

Mikal says goodbye to Gary, who asks Mikal to get Glaque to let him talk to Nicole. Mikal meets with Glaque and begs him to get Nicole to speak with Gary. Glaque reminds Mikal that Gary tried to coerce Nicole into committing suicide with him piror to his incarceration. With only three days left until Gary’s execution, Glaque urges Mikal to sign the court papers requesting a stay. That night, Mikal calls Bessie. She is filled with guilt, but unwilling to sign the papers herself and thus anger Gary. Mikal sees images of Gary and a young boy in his nightmares. 

During their next visit, a hyped-up Gary apologizes to Mikal for Schiller’s behavior. Mikal asks Gary if he murdered the men because he was trying to kill himself. Gary comforts his brother, explaining that he wants to be free, and death is his only way out. Gary tells a story about a young boy who died in his arms when he was in juvenile detention. Mikal is skeptical, but Gary confesses that he’s just afraid of what lies beyond. During the car ride back to town, Mikal admits that he is having doubts about stopping Gary’s execution. Mikal calls Bessie, who is at home with Frank, Jr. Bessie wonders why Gary wants to die and tells Mikal to come home. 

As Mikal goes to the prison for his last visit with Gary, the media is gathered outside in full force. Stanger and Moody leave as Mikal enters. The last visit takes place with plate glass between the brothers. Gary reads letters he has received and tells Mikal that he received a surprise phone call from his idol, Johnny Cash. When Gary shows Mikal a photograph of Nicole, Mikal promises to call her. Mikal demands to know why Gary was headed for Portland on the night of the murders. Gary admits he was planning to find Mikal and kill him. The warden enters and Gary complains about having to wear a hood during the execution. Mikal and Gary are searched by a guard before they are allowed to shake hands goodbye. Gary takes Mikal’s hand and then kisses him on the cheek, leaving Mikal weeping uncontrollably as his brother is led away. 

Mikal joins Bessie and Frank, Jr. At Bessie’s trailer home, where they wait for a phone call from Gary. Bessie weeps and remembers saving Gary from drowning as a child. The phone rings. Images of the dead Gilmore men end with Gary saying, "Semper erat Paater. There will always be a father." A black hood is draped over Gary’s face as he speaks. 

1857: Mormon Danltes take a man from his home, lead him deep into the woods, and slit his throat. The man is a sinner whose blood is being spilled as a means to his salvation.

As Mikal, Bessie and Frank, Jr. Watch TV, Schiller gives a gruesome description of Gary’s final moments. The family grieves. A series of black-and-white family photographs follows. 

Portland, Ore., 1991: Mikal and Frank, Jr. Are reunited in a tavern. Mikal tells Frank, Jr. That it was not Gary who was the illegitimate son, but Frank, Jr. Himself. When asked, Mikal assures him they will always be brothers. 

Los Angeles: Mikal reads aloud from "Shot in the Heart," the book he wrote about his family, before a rapt bookstore audience. The passage he has chosen describes his determination never to be a father, and never to have children. In an attempt to bring an end to the Gilmore family line and the legacy of violence that haunted it. 

BIOS

Giovanni Rubisi (Mikal Gilmore) has appeared in such films as "The Gift," for which he was nominated for an Independent Spirit award, "Gone in 60 Seconds," "Boiler Room," "The Virgin Suicides," "The Mod Squad," "The Other Sister," "Saving Private Ryan" and "subUrbia." He will also be seen in the upcoming feature "Heaven." Ribisi’s TV credits include a recurring role on "Friends." 

Elias Koteas (Gary Gilmore) has been seen in such films as "Lost Souls," "Harrison’s Flowers," "Dancing at the Blue Iguana," "The Thin Red Line," "Apt Pupil," "Living Out Loud," "Fallen," "Gattaca," "Crash," "The Prophecy," "Desperate Hours" and "Some Kind of Wonderful." He also appears in the upcoming films "Novocaine" and "Collateral Damage." Koteas’ TV credits include HBO’s "Sugartime," "Contact," "The Habitation of Dragons" and "Onassis: The Richest Man in the World." He has also appeared onstage in "Kiss of the Spider Woman," "Death of a Salesman," "Bent," "The Cherry Orchard" and "True West." 

Amy Madigan (Bessie Gilmore) has appeared in such films as "Time for Dancing," "Pollock," "With Friends Like These," "Loved," "Field of Dreams," "Uncle Buck," "The Prince of Pennsylvania," "Nowhere to Hide," "Alamo Bay," "Places in the Heart," "Streets of Fire," "Love Child," which brought her a Golden Globe nomination, and 1985’s "Twice in a Lifetime," for which she received a Best Supporting Actress Academy Award nomination and her second Golden Globe nomination. Madigan’s numerous TV credits include ‘In The Name of the People," "Having Our Say: The Delany Sisters’ First 100 Years." HBO’s "A Bright Shining Lie," "Riders of the Purple Sage," "And Then There Was One," "Roe vs. Wade," for which she won a Golden Globe, "The Day After," "Travis McGee" and a guest appearance on "Frasier." 

Eric Bogosian (Lawrence Schiller) has appeared in such films as "Deconstructing Harry," "Under Siege 2: Dark Territory" and "Dolores Claiborne;" as well as two films based on his plays: "Talk Radio," which garnered him the Berlin Film Festival’s Silver Bear Award, and "Sex, Drugs, Rock & Roll." His TV credits include HBO’s "A Bright Shining Lie," HBO’s "Witch Hunt," "Last Fight Out," "The Caine Mutiny Court Martial," "Welcome to New York," "Beggars and Choosers," HBO’s "The Larry Sanders Show," "Law & Order," "Crime Story," "The Twilight Zone," HBO’s "Tales from the Darkside" and "Miami Vice." Bogosian is the author of such plays as "subUrbia," "Griller" and "Wake Up and Smell the Coffee," and won Obie Awards for "Drinking in America," "Sex, Drugs, Rock & Roll" and "Pounding Nails in the Floor With My Forehead." 

Lee Tergesen (Frank Gilmore, Jr.) currently stars in HBO’s critically acclaimed series "OZ." His feature film credits include "Shaft," "Diamonds," "Coyote Moon," "Wayne’s World" and its sequel, and "Point Break." He has appeared on such TV shows as "Touched by an Angel," "Cracker," "Weird Science" and "JAG," and had a recurring role on "Homicide: Life on the Street." 

Sam Shepard (Frank Gilmore, Sr.) has appeared in such films as "All the Pretty Horses," "Snow Falling on Cedars," "Safe Passage," "The Pelican Brief," "Thunderheart," "Steel Magnolias," "Baby Boom," "Crimes of the Heart," "Fool for Love," "Country," "Paris, Texas," "The Right Stuff," "Frances," "Raggedy Man," "Resurrection" and "Days of Heaven." His screenplays have included "Paris, Texas," and "Zabriskie Point," which he co-wrote. Shepard has written such plays as "La Turista," "Operation Sidewinder," "Buried Child," for which he won the 1979 Pulitzer Prize, "Curse of the Starving Class," "True West," "Fool for Love," "A Lie of the Mind" and "Simpatico." 

Agnieszka Holland (director) began her film career working in Poland, with famed director Andrzej Wajda as her mentor. She wrote and directed the 1985 film "Angry Harvest," which received an Academy Award nomination for Best Foreign Film; 1991’s "Europe, Europa," which received a Golden Globe Award, as well as an Academy Award nomination for her adapted screenplay; and "Olivier, Olivier." Holland’s American movie projects include "Anna" (writer) and "To Kill a Priest" (co-writer, director). She also directed "The Secret Garden" for executive producer Francis Ford Coppola, followed by "Total Eclipse," "Washington Square’ and "The Third Miracle." Her upcoming films include "Julia Walking Home," which she also wrote, and "Golden Dreams." 

Barry Levinson (executive producer) is a five-time Academy Award nominee and an Oscar winner for directing 1988’s "Rain Man," for which he also received a DGA Award and a Golden Globe nomination. He also received Oscar nominations for his screenplays for "Avalon," "Diner" and "…And Justice For All," while "Bugsy," which he directed, was nominated for ten Academy Awards, including Best Picture and Best Director. Levinson’s other directorial credits include "Diner," "Tin Men," "Avalon," "Good Morning, Vietnam," "Sleepers," "Wag the Dog," "Liberty Heights," "Home Fries," "Sphere," "The Natural," "Jimmy Hollywood" and ‘Disclosure." 

Prior to his critically acclaimed series "Homicide: Life on the Street," which won him a directing Emmy, Levinson wrote for various TV variety shows, including "The Carol Burnett Show." He later collaborated with Mel Brooks on the features "Silent Movie" and "High Anxiety." Levinson’s producing credits include the feature films "Quiz Show" and "Donnie Brasco," and HBO’s "The Second Civil War." With Paula Weinstein, he produced "Analyze This." He also executive produced "The Perfect Storm," as well as the miniseries "American Tragedy" and the series "Falcone," "The Beat" and HBO’s "Oz." His film "Bandits" will be released later this year. 

Tom Fontana (executive producer) is currently an executive producer of HBO’s hit drama series "Oz." Fontana and partners Barry Levinson and Jim Finnerty created the network series "The Beat." During the seven-year run of ‘Homicide: Life on the Streets," Fontana earned a writing Emmy, as well as three Peabody Awards, a WGA Award and four Television Critics Awards. As a writer and producer on "St. Elsewhere," Fontana was honored with two Emmy Awards, the Peabody Award, the Humanitas Prize and the Writers Guild Award, among others. He also wrote the network special "The Fourth Wise Man," starring Martin Sheen and Alan Arkin, and executive produced the miniseries "American Tragedy," as well as "Homicide: The Movie," "Firehouse" and "The Prosecutors." 

Jim Finnerty (executive producer) is currently an executive producer on HBO’s "Oz." He has collaborated with Tom Fontana and Barry Levinson on various pilots and TV movies for 15 years, including "Homicide: Life on the Street." Prior to his partnership with Levinson and Fontana, Finnerty worked on such films as "Superman," "Dog Day Afternoon," "Platoon," "Fatal Attraction" and "Mishima." 

Nina Kostroff Noble (producer) produced the Emmy winning HBO miniseries "The Corner." Her 15-year relationship with Tom Fontana and Jim Finnerty has included work on such productions as "Homicide: Life on the Street," "Family Brood," "Firehouse" and "Tattingers." As an assistant director, Noble worked on "Basic Instinct," "Enemies, A Love Story" and "Bull Durham." 

Frank Pugliese (screenplay) received a Writers Guild Award for the episode of "Homicide: Life on the Street" entitled "Night of the Living Dead." He also wrote the season finale for Levinson and Fontana’s "The Beat." His stage credits include "Aven’U Boys," for which he won an Obie Award, "The King of Connecticut," "The Talk," "The Alarm’ and "The Summer Winds." Pugliese currently teaches playwriting and screen- writing at Columbia University. 
 


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